The 23 (Iravai Moodu) Telugu movie directed by Raj R. The starring are Teja, Tanmai, Jhansi, Pawon Ramesh, Thagubothu Ramesh and Praneeth. Here we’re going to talk about the important parts of this movie includes the story/plot, release date, trailer, where to watch and the talented cast in it. Read our latest review of 23 (Iravai Moodu) to know how the film fares.
Movie Overview: Key Details at a Glance
| Details | Information |
|---|---|
| Movie Name | 23 (Iravai Moodu) |
| Release Date | May 16, 2025 |
| Rating | 2.5/5 |
| Starring | Teja, Tanmai, Jhansi, Pawon Ramesh, Thagubothu Ramesh, Praneeth |
| Director | Raj R |
| Producer | Venkat Siddareddy |
| Music Director | Mark K Robin |
| Cinematographer | Sunny Kurapati |
| Editor | Anil Aalayam |
| Related Links | Trailer |
Story :A Tragic Mistake That Changed Everything
The film is set in 1993 in Chilakaluripeta the movie follows Sagar (Teja R) who is the young man who has dreams of a tranquil life with his beloved Susheela (Tanmai Kushi). In the hope of earning money fast however, he decides to take a risky route that eventually causes a horrifying incident in which he burns to a bus and is unaware of murdering 23 innocents.
After he is detained, Sagar is forced to face the consequences of his deeds. Feeling guilt-stricken Sagar hopes for a retribution and freedom. Will life grant him an opportunity to make amends? The story unfolds as a result of the emotional as well as legal process.
Plus Points: Real Incidents and Emotional Impact
Raj R once again picks an actual event as his starting point and strives to convey a story that has an important social message. The concept of linking multiple tragic incidents – including those of the Tsunduru Dalit Massacre (1991) and the Chilakaluripet bus fire (1993) and the Jubilee Hills car bomb blast (1997) to show the way justice differs based on the status of the person, their caste and power is bold and admirable. This alone is enough to give the film depth even if execution issues.
Tanmai Kushi receives a good quantity of screentime, and provides an acceptable performance. Jhansi even though she appears in a short amount of time, plays a minor but significant role that provides emotional depth, particularly in the second part.
As for the supporting cast, Pawon Ramesh plays the friend with a convincing performance and Praneeth as the jailer makes an effort to be honest.
Minus Points : Good Intent, Poor Delivery
Although the message of the film is positive, the story does not meet the mark. The screenplay lacks structure or rhythm. Some of the most emotional scenes fail to make a big impression and a few moments which should be powerful or uplifting just appear and go, without much the weight. There’s a distinct gap between the concept and how it unfolds on the screen.
The main issue is casting. Teja R who plays the main character is not emotionally resonant as that the character requires. His performance is flat, even in critical scenes, making it difficult for viewers to connect Sagar’s change or regret. If Raj was looking to introduce his new image with a more expressive or skilled actor would have been able to in carrying the emotional weight of the film more effectively.
Another thing to note is the timeframe. The film is set over several years, yet the characters don’t seem to be aging – and that includes Sagar’s parents, or prisoners. This disrupts the realism and makes the changes feel like they’re not natural. It’s not a big deal that affects the degree of realism that a story is.
The pace is a different issue The film is slow and spends a lot of time on scenes that don’t move the narrative ahead. Certain scenes feel like they drag on particularly in the second portion. The film feels longer than it really is, and diminishes the emotional impact.
Many characters, even those that share a common bond with the character aren’t fully developed. Their arcs don’t change and are mostly there solely to help move the plot ahead. This means that the stakes for emotional realism remain at a minimum throughout.
Technical Aspects: Decent Effort, But Lacks Finesse
Director Raj’s effort to highlight forgotten social injustices is admirable. Although his intentions are evident clearly however, his lack of a polished execution hinders the film. With better writing and more solid casting it could have developed into a riveting legal-crime thriller.
The cinematography of Sunny Kurapati is serviceable but does not enhance the story visually. Mark Robin’s background score is good in a few places however it doesn’t enhance the most important scenes. Anil Aalayam’s editing style is inconsistent. Many sequences could be edited or eliminated completely. The production design and the locations are decent, but nothing stands out.
Trailer
Final Review : Sincere Idea That Doesn’t Fully Deliver
Overall the film 23 (Iravai Moodu) has a sincere message and genuine intent However, it isn’t without difficulties in keeping the viewers’ interest throughout. The film’s slow speed, casting choices and uneven storytelling may diminish its overall impact as well as the significance of its social issues. Although the director Raj R highlights important issues with care, the execution does not fully realize the film’s potential. If there are other options for viewers, they might want to investigate those options rather.
FAQs
Who is the director of 23 (Iravai Moodu) movie?
Raj R
What is the release date of 23 (Iravai Moodu)?
May 16, 2025